Climate Solutions, Off the Shelf

About six weeks ago, as the Biden administration was first asserting its priorities regarding climate change and the environment, I reviewed a book about the positive actions already being taken by cities around the world in addressing the climate crisis. The important takeaway was that, while climate policy languished or moved backwards under the Trump administration, cities and their mayors had not waited for national governments to act. They had instead taken the initiative.

But city governments are not alone. Architects, planners, engineers, and even developers have innovated in their own ways. In late 2019, Chicago architect Douglas Farr provided me with a copy of his book, Sustainable Nation: Urban Design Patterns for the Future, and I promised to review it. It is a sizeable, oversize, 400-page tome, but don’t let that intimidate you, even if I got sidetracked for numerous reasons and only a year later decided to devour the book from cover to cover. That is not necessary for everyone. The book functions much like an encyclopedia, reference work, or anthology. Farr solicited specialized contributions from numerous practitioners and experts. Pick a chapter, pick your favorite subtopic, or dive in randomly. You won’t fail to learn something, as I did, despite my general familiarity with Farr’s subject matter.

My timing in finally reviewing the book has proven fortuitous, in a way. It allows me to expand the message of the review of David Miller’s Solved, a much shorter book by a single author. Miller essentially is a success storyteller; Farr is a documenter. Both serve a purpose.

For 650,000 years, global carbon dioxide emissions have never been above the read line. They are now. All graphics courtesy of Farr Associates

Farr starts his book with a “Where We Are” section that includes color-coded maps documenting the huge disparities around the world in longevity (50-59 years in much of Africa, 70-79 in the U.S., above 80 in Japan, Australia, Canada, and Europe, in poverty, gender inequality, and so forth. A simple chart of global CO2 levels demonstrates that, within our lifetimes, we have nearly doubled atmospheric carbon dioxide concentrations to levels not seen in the last 650,000 years. A parade of such graphics makes clear that ours is a planet on a collision course with natural reality.

The Bullitt Center. Copyright Nic Lenoux for the Bullitt Center.

But such searing images also clarify the importance of examples of what can be done. Farr leads us to the specific example in Seattle of the Bullitt Center, which he terms the “most sustainable office building in the world.” Composting toilets use an average of two tablespoons of water per use. There are no parking spaces, but there is 243 square meters of rooftop green space. The Bullitt Center earned designation as one of the first eight buildings to achieve full certification under the Living Building Challenge, and the first office building.

But no one in Seattle wants it to retain such titles. They would rather see new buildings and new developments claim new titles and surpass the Bullitt Center’s achievements as we move toward an entire new sustainable society. Farr takes us from “our default world” to “our preferred future,” with a procession of examples of how this can be done, then leads readers to a theory of change that discusses how we make change happen, over what timelines, and how we can step on the gas with “acceleration strategies” to make practical impacts on climate change happen more quickly.

But it is in the final section, “The Practice of Change,” which dominates more than half the book, where Farr enlists a variety of expert contributors to share the methods and designs that will carry us forward to reduce climate impacts and ultimately create a more livable society. This is not just about innovative building design but about human relationships. Mary Nelson, president and CEO emeritus of Chicago’s Bethel New Life Inc., and one of the pioneers of Chicago neighborhood change whom I most admire, discusses how we build strong relationships between people and place (spoiler alert: it involves hard work). Others describe the value of participatory art in communities or the need to transform public spaces into welcoming places (Fred Kent, president, Project for Public Spaces). Get the point? Architectural or planning solutions that have no human connection of involvement beyond an elite are dead letters in promoting real social change that will have any impact on our climate crisis. It’s all about us, whether the subject is local food culture, local planning checkups, ore re-envisioning underutilized space to promote equitable prosperity. Every single example has its champion in this book, someone who has worked on solutions and involved people in finding answers.

For a moment, I’d like to focus on contributions by two colleagues with whom I have worked, David Fields and Tom Price, to make the point. Fields is a veteran transportation planner now working in Houston as the city’s chief transportation planner, who discusses how elements of the urban setting such as residential density and mixed land uses that put homes within walking distance of retail, or put homes above ground-floor retail, can reduce vehicle trips by up to 90 percent, thus helping to reverse the tremendous negative impact of the automobile on the world’s climate, to say nothing of air quality. Price, on the other hand, is a civil engineer, instructs us on how to use “every project as an opportunity to process rainwater and stormwater,” while demanding beauty through improved design. His articles remind me of a lesson I learned years ago, after Hurricane Katrina, through a project in New Orleans called the Dutch Dialogues, in which the American Planning Association and others engaged with Dutch planners and engineers to promulgate the idea of seeing water not as the enemy but as a resource for enhancing urban quality of life. We need to find ways to help move water elegantly through the city instead of constantly finding ways to bury it, hide it, or divert it.

Whether the subject is community theater, transportation, or architectural styles that build housing affordability and reduced heating and cooling demands to reduce greenhouse gas emissions, the overall point is not only repetitive but cumulative: For many of the challenges that climate change poses to our communities, we already know the answers if we are willing to explore the most innovative, effective, and creative approaches that others have already used. Yes, we have a new administration willing to rejoin the Paris climate accord and invest in solutions to climate change. That is important, as we need to push envelopes constantly and with urgency. But we dare not ignore the answers that are all around us in the innovations that are already helping our communities adapt to a carbon-neutral, democratic, more equitable future. They embody the lessons that, through replication, will accelerate our shift to a green future that eases the existential climate crisis of our planet.

The sweet-spot scale in action in Oslo, Norway. Copyright Jason F. McLennan.

Perhaps two points in Farr’s book, side by side, will help illuminate the point. One is a segment by Jason F. McLennan, founder of the Living Building Challenge. He defines something he calls the “sweet spot” in the sustainable urban fabric, buildings between four and eight stories high. These are buildings not so high as to isolate people on upper floors from fellow human beings at ground level. The building is also not so tall that reliance on energy-consuming elevators drives high energy demand for the building merely to function. There is a place for taller buildings, but the combination of density and manageable energy demand with the potential to minimize demands on the environment exists in that “sweet spot.” Subsequent examples in the same section

The sweet spot defined. Modified by Farr with permission from Jason F. McLennan.

proceed to elaborate on ways we already know to produce affordable, carbon-neutral housing. At the end of the book, in contrast, Farr makes his plea, in large part to fellow architects, to “end the race to build the world’s tallest building,” detailing the negative effects of such edifices on public health, safety, and welfare, and ending with a quote from Sherrilyn Kenyon, “Just because you can doesn’t mean you should.” Indeed. That is the fundamental point of stranded carbon, that is, leaving fossil fuels unburned, in the ground, and shifting to a renewable energy economy.

Much of the secret of achieving this goal lies in knowing when to stop doing the wrong things and how to enable our society to do more of the green things. This being merely a blog post, I cannot attempt to share all the specific points Farr and his contributors make concerning street design, building envelopes, solar power, social equity, and commitment to environmental health. But I can urge you to seek out his book, in a library, online, or in a bookstore, to find the examples you need for the situation your own community faces in crafting a more sustainable future. This is the activist’s and practitioner’s manual to help get you started. Let’s all engage in some creative thinking and problem solving.

Jim Schwab

Park that Transformed Downtown Chicago

Ed Uhlir died Wednesday, not living long enough to enjoy another Thanksgiving because multiple myeloma overtook him at 73. But the entire Chicago region can be thankful for his quiet service to the city and for his major accomplishment as both an architect and a public servant.

In a world of “starchitects,” those designers with rock-star name recognition in their highly visible profession, his creativity was of a different and far less flamboyant sort. He succeeded in orchestrating the contributions of numerous rich, powerful, and sometimes difficult personalities to produce an outcome that changes people’s perceptions of what a major public space can be. He spent six years, starting in 1998, as the project director for Millennium Park. Mayor Richard M. Daley persuaded him to take on the role shortly after he had retired from the Chicago Park District, with plans to enter the private sector. Daley told him the job would last a couple of years. It ended up being six, but Uhlir stuck with the task until the 26-acre Millennium Park opened in 2004, completely transforming the lake side of Michigan Avenue for several blocks south from Randolph St. to Monroe St. In the process, it also transformed everyone’s sense of downtown Chicago.

During those six years, I watched from a bird’s-nest view of what is now the park because the American Planning Association (APA) was situated across Michigan Avenue from the Art Institute of Chicago and catacorner from the park’s edge. I have regretted to this day not having had the foresight to start shooting daily photos from that 12th-floor vantage point to create a record of its progress toward completion. I had the corner office closest to the action. But who knew?

Well, some did. In late June of this year, I attended, on an intermittently rainy day, a tour of Millennium Park, co-sponsored by the APA Illinois chapter and the American Society of Landscape Architects Illinois chapter. The program began in a meeting room behind the park’s amphitheater with a series of short presentations led by Uhlir, who was remarkably candid about the process of creating the park. But retirement can do that to you.

What Uhlir began with was a park design by the firm Skidmore Owings and Merrill (SOM) that he found unsatisfactory, he said, in part because it was not completely accessible, though it was based on “an extension of details from the Burnham plan.” Exactly what that meant historically was laid out by Benet Haller, who had been with the Chicago Department of Planning and Development, but now is a transit manager for Cook County. He followed Uhlir’s presentation with a discussion of the history of the downtown lakefront area that Grant and Millennium Parks now occupy, which more than a century ago grew from landfill, much of it derived from subway tunneling as the city’s transit system was built. Haller noted that the Chicago lakefront has been evolving for decades, with features like Grant Park’s iconic Buckingham Fountain emerging in the 1950s. Evolution is, of course, precisely what one would expect of a dynamic urban area. Michigan Avenue, now several blocks from the lake, gained its name from originally being along the lake. Also along that lakefront was a stretch of railroad that still provides passage for many riders into downtown along Metra’s Electric Line, now ending below ground in a station under Millennium Park.

Terry Guen explains nature in the park to those in the APA/ASLA tour.

As Terry Guen, a local landscape architect who also spoke, noted, city lawyers discovered by 1998 that the city owned in fee simple the land between Randolph and Michigan, easing the task of leveraging use of the land from railroads that opposed its use for a park. In addition to the Metra station, the space below the park also contains a parking garage, making the park above, as Guen observed, “the world’s largest publicly accessible green roof.”

Achieving that status required a discreet but confident man with a sense of humor who could patiently weather the tug of war between wealthy donors (such as Penny Pritzker), who underwrote many of the most significant improvements to the park; world-famous architects like Frank Gehry; Maggie Daley, the mayor’s wife; who insisted on accessibility for the entire park; and civic and business leaders. After the initial design failed, Uhlir shifted the approach to a design competition that attracted some of the best ideas that found their way into the final scheme, including the proposal from Anish Kapoor for “Cloud Gate,” aka “the Bean,” one of the most popular aspects of the park since its opening because it allows visitors to see both themselves and the city skyline in the reflections on the perfectly buffed metal. Despite early criticism about cost overruns, the park has become the leading tourist attraction in Illinois, outpacing even Navy Pier with approximately 13 million visitors annually. It is a dynamic combination of features—the water fountain, the amphitheater, a winter skating rink, the “Bean,” and gardens that blend into an effective whole that seems always to be greater than the sum of its parts.

Part of the magic, according to Guen, came from tapping the local wisdom of “plant people, contractors, and others who knew so much about Chicago,” bringing wildflowers and prairie plants that bring an explosive mix of colors while allowing “little weed growth because the ground is so packed full of roots.” The botanical features of Millennium Park can keep a native plant enthusiast busy all summer long, even as the built features attract audiences seeking cultural experiences. For instance, the Harris Theater, on the northeast corner, attracted my wife and me on our anniversary one year to hear Roberto Bernigni perform a comic monologue followed by a recitation in Italian from Dante’s “Il Inferno.” We returned on my birthday to join a “do-it-yourself Messiah,” in which audience members participate in singing assigned parts of Georg Friedrich Handel’s famous work.

All Ed Uhlir did to make this happen was keep all the egos in check, harness them toward a common goal, and leave Chicago with a lasting civic treasure where people can rest, recreate, and relish the best the city’s culture has to offer. If that is the only legacy for which he is remembered, it is far more than most of us will ever claim. Millennium Park is now an indelible part of Chicago’s identity.

Jim Schwab